Killer is the 4th Alice Cooper Group studio album and was released in 1971. Following hot on the heels of the magnificent Love It To Death, this album further demonstrated the diversity of the band with tracks jumping happily from garage rock, like Under My Wheels and Be My Lover, to less conventional, darker, material like Halo Of Flies and Dead Babies.

Although the album, in my opinion, just fails to hit the incredibly high standard of the previous album, Killer undoubtedly proved that the Alice Cooper Group were by no means a one-hit-wonder.

Under My Wheels and Be My Lover are straight-up rockers that are firm favourites with most fans. It’s clear to see how the Group were becoming so successful, they were producing great quality, radio friendly, music whilst still injecting their own twisted identity into them (Under My Wheels, for example, is about a guy who accidentally runs his girlfriend over!).

Halo Of Flies is an eight-minute non-conformative masterpiece full of aggressive instrumentals, clinical lyrics and, err, more aggressive instrumentals. A fond nod to their experimental routes, Halo showcases just how far each member of the Group had developed in just a few years.

After the madness of Halo Of Flies, the tranquil beginning to Desperado is well timed. The song, which is believed to be dedicated to Jim Morrison (who died the same your Killer was released), is without doubt one of the classiest tracks produced by the Alice Cooper Group.

Things become more edgy with the frantic You Drive Me Nervous and Yeah, Yeah, Yeah. Alice particularly shines here with his rasping, sneering, vocals a real highlight (alongside a superb harmonica solo by him on the latter).

Dead Babies is one of the most controversial songs written by the Alice Cooper Group, despite the fact it was actually intended to present an anti-child neglect message. For me, this merely confirms the brilliance of the way they presented and marketed themselves. You either ‘got it’ or you didn’t, but regardless, they were able to provoke a reaction (often contempt) from wider society. Dead Babies is a brilliant, dark, sinister track that little has come close to matching since (the possible exceptions being I Love The Dead and When Hell Comes Home).

The album draws to a close with the haunting title track, which should only be listened to with the lights off if you’re feeling brave! The instrumental section is often used as the background for the ceremonial beheading at the live shows and has a brilliant middle-age feel to it. 

The impact of the final two tracks of Killer must have been immense at the time and this shouldn’t be underestimated when considering how the Alice Cooper Group managed to become so notorious in popular culture.

Killer 12" Promotional Vinyl Album

1971, Warner Brothers, BS 2567

This USA 12" promotional vinyl album features a menacing close-up image of Neal Smith's pet snake Kachina. The front cover is especially notable as 'Alice Cooper' and 'Killer' are scrawled by the left (i.e. wrong) hand of Dennis Dunaway himself. The reason for this is that Alice and Dennis wanted the writing to look like the hand of a serial killer, and Dennis was more than happy to play that role (which he pulls off very well)!

Original presses of Killer featured a deluxe gatefold sleeve complete with detachable fold out calendar. Presumably, this was designed to irate parents as the chosen image is a rather gruesome one of Alice being hung at the gallows! As this is a first press promotional copy, the year featured on the calendar is 1972, but 1973 and 1974 versions were also produced. Another notable feature of the release is that the gatefold opens from the left side rather than the right, like most albums of this design. This was presumably due to the way in which the calendar was attached to the sleeve.

Also provided on the inside of the sleeve is an image of the extremely long-haired Alice Cooper Group (plus Kachina) in full glam regalia, plus track listings and credits. On the rear of the sleeve is a further image taken from the same photo session.

As this is a promotional copy, it includes white Warner Brothers vinyl labels and an additional DJ timing strip on the rear of the sleeve, which provides the track titles and durations of every song together with the total running time of each side of the album.

Discogs Link: Click Here

Killer 12" Vinyl Album

1971, Warner Brothers, K 56005

This UK 1st pressing of Killer is almost identical to the promotional copy (above) only that it features alternative green Warner Brothers labels and no DJ timing strip on the rear of the sleeve.

Discogs Link: Click Here

Killer 12" Vinyl Album

1972, Warner Brothers, K 56005

This UK re-issue of Killer is identical to the above copy only that it features a 1973 version of the calendar, rather than 1972. The calendar has also been detached from the gatefold sleeve.

Discogs Link: Click Here

Killer 12" Vinyl Album

1972, Warner Brothers, GX 01-510

This Mexican 1st pressing of Asesino (i.e. Killer) comes in a simple card sleeve, which is a far cry from the deluxe packaging found in many other territories around the world (see above). An alternative front cover, featuring the calendar artwork from the original release is provided.

Notably though, the vinyl features distinctive gold bilingual Warner Brothers vinyl labels. This style of label is believed to have only been seen again on initial Canadian pressings of Easy Action plus Mexican releases of Easy Action, School's Out and Billion Dollar Babies. I don't know why these were used instead of the iconic olive green labels, but they certainly make these releases unique.

Discogs Link: Click Here

Killer 12" Vinyl Album

1980, Warner Brothers, K 56005

The German vinyl releases of Killer were notable in that they featured sleeves with white writing, rather than black. This non-gatefold re-issue from 1980 is one such example, with Dennis Dunaway's left-handed writing standing out better than the more common black versions.

Discogs Link: Click Here

Killer 12" Vinyl Album

2010, Warner Brothers, GWEA-5090

This Mexican vinyl re-issue of Asesino (i.e. Killer) features similar, simplified, packaging to the original pressing from this country (above). However, provided inside this time is a one-sided 1972 card calendar that features the same image used on the Killer Tour programme.   

The other notable aspect of this release is that it features a nice opaque red vinyl disc. The hype sticker on the front states that this is a limited edition release, although no information is provided on production numbers.

Discogs Link: Click Here

Killer 12" Vinyl Album

2012, Warner Brothers, 81227 97167

This 180g re-issue of Killer by Warner Brothers comes in a gatefold sleeve. However, and despite the claims of the hype sticker on the front (i.e. "packaging replicated to the finest detail"), it does not feature the calendar which came with the original release (above).

Discogs Link: Click Here

Killer 12" Vinyl Album

2018, Rhino Entertainment, RCV1 2567

This 'Limited' 140 gram vinyl re-issue of Killer was released in January 2018 at the same time as additional releases of Easy Action and Welcome To My Nightmare. Each featured different colour vinyl and production numbers with this one pressed in translucent red / black and being limited to 5,200 units worldwide.

Unlike the above re-issue of Killer this version retains the detachable (1972) calendar of the original album.

Unfortunately, this version will forever be notable for one reason. It was discovered just 6 days before release date (Friday 26th January 2018) that all 5,200 units had accidentally been pressed with the music of the Easy Action release. To make matters worse, all the Easy Action vinyls (4,600 in number) were pressed with Killer music resulting in 9,800 faulty products. Doh!

Upon identifying this issue, a recall letter was quickly issued to retailers (see example image below), but it didn't stop several making their way out of shops. Nobody knows how many people obtained them but these will probably become quite sought after, as this is a curious error.

Discogs Link: Click Here

Killer 12" Vinyl Album

2021, Friday Music, FRM-22567

This 180 gram vinyl re-issue of Killer by Friday Music faithfully recreates the original 1971 release, with the 1972 detachable calendar included. The only notable difference is that the Friday Music logo is added to the vinyl labels and rear of the sleeve.

Discogs Link: Click Here

Killer 50th Anniversary Edition 12" Vinyl Album

2023, Warner Brothers, R1 681028

This USA ‘50th Anniversary Edition’ vinyl version of Killer was released by Warner Brothers in 2023 (so technically a few years late). Featuring a whopping three discs, and a whopping price tag to match (about $75), this offered fans the following exciting content:

> Super deluxe packaging, including a trifold sleeve, fold-out 1972 calendar (not attached, like the original release), a comprehensive ‘Fan’s Note’ by music journalist Bill Holdship and detailed track-by-track comments (including the bonus content) by Alice, Dennis, Mike, Neal and Bob Ezrin;

> The original album remastered by D2 Mastering;

> The live performance at Mar Y Sol Pop Festival in Puerto Rico on 02nd April 1972 (which was unofficially released in 2017); and

> Alternative / early versions of You Drive Me Nervous, Under My Wheels and Dead Babies.

If this wasn’t great enough already, Good Records in Dallas (the masterminds behind the iconic Live From The Astroturf, Alice Cooper releases) went one step further by releasing their own exclusive version.

Limited to just 150 individually numbered copies (mine being #00064), it was exactly the same as the standard version but also came with a limited edition numbered 12" x 12" chipboard silkscreened art print of Alice with Kachina the snake (taken by Jeffrey Mayer at the Mar Y Sol Festival), a 12” x 12” slick with unique additional artwork and track listings, plus some bonus button badges.

I’m no audiophile, but Killer has never sounded better, with Desperado, Yeah, Yeah, Yeah and Dead Babies sounding especially brilliant (not they weren’t before, of course).

The Mar Y Sol performance also sounds significantly better than the 2017 release, plus also includes the previously omitted Under My Wheels. It is also better than the 'Killer In St. Louis' vinyl and CD, which was included in the Old School Boxset (which had essentially the same setlist).

The alternative / early tracks, especially You Drive Me Nervous, are an interesting listen and of excellent, near album-ready, quality.

This, or the CD version (see below), or both, are definitely worth picking up and must surely be seen as the quintessential versions of Killer.

An equally good release was also made by Warner Brothers for the School’s Out album at the same time.

Promotional text:

KILLER (DELUXE EDITION) introduces a newly remastered version of the original release, which peaked at #21 on the Billboard albums chart. Along with the singles “Under My Wheels” and “Be My Lover,” the record also includes “Yeah, Yeah, Yeah,” “Desperado,” and the prog-rock-inspired epic “Halo Of Flies.” The bonus material features alternate takes for “You Drive Me Nervous,” “Under My Wheels,” and “Dead Babies.”
 
The collection also gives fans an unreleased live recording of the band’s performance at Mar Y Sol Pop Festival in Puerto Rico on April 2, 1972. Recorded a few months before the band returned to the studio to make School’s Out, the show previews “Public Animal #9” from the upcoming album. The band played most of Killer during the concert, including “You Drive Me Nervous,” “Under My Wheels,” and “Halo Of Flies.” They also tapped the group’s 1971 album, Love It to Death, for live versions of “Is It My Body?,” “Long Way To Go,” and the smash hit “I’m Eighteen.”
 
Shortly after the festival, the band released the title track from its follow-up album, School’s Out. The single was released several weeks ahead of the full album to ensure it hit radio airwaves before the school year ended. It worked. By the time school was out, the song was a hit, reaching #7 in the U.S. and #1 in the U.K.

Shortly after release, a limited USA Target exclusive version was also offered to fans. These were effectively the standard release, but included the additional 12” x 12” slick that was provided with the Good Records version and was signed by Michael Bruce, Alice Cooper, Dennis Dunaway and Neal Smith (see image below). A similar version was also produced for the School's Out release.   

Discogs Link: Click Here

Killer Reel-To-Reel Album

1971, Warner Brothers, WST 2567 B

This USA Reel-To-Reel album features a black reel with green Warner Brothers label, which is contained inside a box that includes the original album cover artwork on the front and track listings and credits on the rear.

Discogs Link: Click Here

Killer 8-Track Album

1971, Warner Brothers, WAR M 82567

This USA 8-Track album features a black cartridge and includes the original album cover artwork and track listings on the front. The wrap-around sticker also provides the product code and address for Warner Brothers' Burbank offices in California on the side.

One notable aspect of this release is that the length of the tracks Halo Of Flies (8:22) and Dead Babies (5:44) are such that they each span more than one of the four 'programs' on the cartridge (meaning that both had interrupted playback as the reading head changed position). This illustrates the limitations of this music format. 

Discogs Link: Click Here

Killer 8-Track Album

1972, Warner Brothers, Y8K8 56005

This UK 8-Track album features a green cartridge and includes abridged artwork and track listings on the front. A further sticker on the back provides further track listings and credits.

One notable aspect of this release is that the track order is slightly different to the usual arrangement, with Be My Lover and Yeah, Yeah, Yeah switched from their usual positions of Tracks 2 and 6 respectively.

Like the USA 8-Track version (above), Halo Of Flies (8:22) and Dead Babies (5:44) are such that they each span more than one of the four 'programs' on the cartridge. 

Discogs Link: Click Here

Killer Cassette Album

1971, Warner Brothers, M 52567

This USA 1st edition cassette copy of Killer is understood to have been released in the early to mid-70's and features a black 'Snapcase' box with wraparound paper cover with abridged artwork and track listings. The white cassette also includes the track listings.

Discogs Link: Click Here

Killer Cassette Album

1971, Warner Brothers, M 52567

This rare USA 2nd edition cassette copy of Killer is somewhat unique as it appears to be a transitional version. This is because it features the same product code and 'Ampex' logo as the 1st edition (above) but with the 'Slipcase' (albeit with slightly modified artwork) and same grey cassette as the 3rd edition (below).

Discogs Link: Click Here

Killer Cassette Album

1973 (Approx), Warner Brothers, WAR M 52567

This USA 3rd edition cassette of Killer comes in a plastic 'Slipcase' containing abridged artwork on the front and track listings on the back. Inside is a grey tape which provides additional track listings. 

Discogs Link: Click Here

Killer Cassette Album

Unknown Year, Warner Brothers, CWM 2567

This USA cassette 'Club Edition' of Killer features a single-sided J-card containing abridged artwork and track listings. Inside is a white tape providing additional track listings.

As the name suggests, Club Editions were distributed through mail-order subscription clubs. In this case the club in question is understood to be Columbia House with the packaging being unique to this particular edition.

Discogs Link: Click Here

Killer Cassette Album

Unknown Year, Warner Brothers, M5 2567

This USA cassette re-issue of Killer features a simple J-card containing abridged artwork and track listings. Inside is a white tape which provides additional track listings.

Discogs Link: Click Here

Killer Cassette Album

1972, Warner Brothers, CWX-2567

This Canadian 1st edition cassette version of Killer features a single-sided fold-out J-card containing abridged artwork and track listings. Inside is a grey tape with yellow stickers providing additional track listings.

One notable aspect of this release is that the track order is different to the usual arrangement, with the majority of them appearing out-of-place. Additionally, the track listings on the front cover imply that Halo Of Flies (track two) is split across either side of the cassette, but this isn't correct as this happens after Yeah, Yeah, Yeah (track four). A further break in the tape is indicated after Dead Babies (track 6), suggesting the tape has four sides! It would appear that the reason for this is that the track listings are based on the Canadian 8-Track version of this album (which has four 'programs' on the cartridge)!

Discogs Link: Click Here

Killer Cassette Album

1972, Warner Brothers, ZCK4 56005

This UK 1st edition cassette version of Killer features a fold-out J-card containing abridged artwork, track listings and credits. Inside is a white tape with green stickers providing additional track listings.

Interestingly, Be My Lover and Yeah, Yeah, Yeah (tracks two and six) are switched places. There doesn't appear to be any logical reason for this (i.e. due to space constraints) as both tracks are almost identical in length. A similar anomaly also occurred on the UK 1st edition cassette version of Billion Dollar Babies.

Discogs Link: Click Here

Killer Cassette Album

1972, Warner Brothers, 456005

This French 1st edition cassette version of Killer features a single-sided fold-out J-card containing abridged artwork, track listings and credits. Inside is an orange tape which provides additional track listings.

Unlike the UK and Canada versions, above, this features all the tracks in the same order as the original vinyl album.

Discogs Link: Click Here

Killer CD Album

1990, Warner Brothers, 7599-27255-2

This European CD version of Killer comes in a jewel case and features an eight-page booklet containing track listings, credits and a 1972 replica calendar on the centrefold. There is also a useful 'Notes' page featuring a short history of the Alice Cooper Group up to and including the Killer era.

Discogs Link: Click Here

Killer '24KT + Gold' CD Album

2009, Audio Fidelity, AFZ 048

This USA version of Killer comes on a '24KT+ Gold' CD, which is stated as having a superior quality to standard aluminium discs. Additionally, the original recording has been subject to digital remastering to provide a "warmer" sound.

Quite what improvement the above has had on an already classic album is, in my opinion, questionable. I'm no expert when it comes to the technical merits of remastering music, however, what is presented here merely sounds slightly different rather than better to me.

The inlay is nothing to write home about with just a fold out sheet featuring stock images (including the 1972 calendar) plus some of the disc labels of the original vinyl release. The gold CD is beautiful though.

This release is quite rare / expensive as it was limited to 5,000 individually numbered copies (of which this is #1,394). Bearing in mind the minimal improvements on offer these releases are for ardent fans only.

Further 24KT+ Gold releases were also made by Audio Fidelity for both the Love It To Death and School's Out albums.

Discogs Link: Click Here

Killer 'Mini LP' SHM CD Album

2011, Warner Brothers, WPCR-14302

In 2011, all the Alice Cooper albums from Pretties For You through to From The Inside were re-issued in Japan on 'Super High Material' (SHM) CD format. SHM CD's are, apparently, made of improved material, that provides a clearer medium for the reading of the data and so reduces read errors and thus can improve sound quality.

A notable feature of all the SHM releases is that they closely replicate the original packaging of the vinyl releases. In the case of Killer, this includes the deluxe gatefold sleeve complete with detachable 1972 calendar. An additional black-and-white bilingual lyric booklet and external 'Obi Strip' are also provided (both of which are common features of Japanese music releases). 

What would have been really cool though is if they had made the CDs look more like miniature vinyl discs. What is offered is still more than satisfactory though and the SHM releases are definitely the quintessential Alice Cooper CD editions of all the available variants out there.

Discogs Link: Click Here

Killer Really Killer Edition CD Album

2023, Warner Brothers, R2 681028

This USA 'Really Killer Edition' CD re-issue of Killer contains all the same material as the '50th Anniversary Edition' vinyl release (see above). Other than the different format, the only major difference is that most of the written material has been moved to a separate 16-page booklet.

This is an essential purchase for all fans, especially if you can't afford / find the vinyl version.

As with the vinyl version, an equally good release was also made by Warner Brothers for the School's Out album at the same time.

Discogs Link: Click Here

NOTE: Further CD copies of this album are featured in the Compilations and The Studio Albums 1969-1983 sections of this website.

Under My Wheels 7" Promotional Vinyl Single

1971, Warner Brothers, 7529

This USA 7" promotional vinyl single features white Warner Brothers labels and includes Under My Wheels on Side A and Desperado on Side B (both from the Killer album).  

Each label includes an 'Intro' time, which helped DJs to understand how long they had to introduce a song prior to the lyrics beginning.

Discogs Link: Click Here

Under My Wheels 7" Vinyl Single

1971, Warner Brothers, 7529

This USA 7" vinyl single features green Warner Brothers labels and includes Under My Wheels on Side A and Desperado on Side B (both from the Killer album).

Discogs Link: Click Here

Under My Wheels 7" Vinyl Single

1971, Warner Brothers, WB 16127

This German 7" vinyl single features green Warner Brothers labels, comes in a paper sleeve, and includes Under My Wheels on Side A and Desperado on Side B (both from the Killer album).  

The sleeve has the same classic image of the Alice Cooper Group on both the front and back.

Discogs Link: Click Here

Under My Wheels 7" Vinyl Single

1971, Warner Brothers, WB 16127

This French 7" vinyl single features green Warner Brothers labels, comes in a paper sleeve, and includes Under My Wheels on Side A and Desperado on Side B (both from the Killer album).  

The sleeve has the same image of the Alice Cooper Group (complete with Neal holding a snake aloft) on both the front and back.

An alternative version of this release is available, which is almost exactly the same as this one only that there is no text on the back of the sleeve (at the bottom) and only faint Warner Brothers logos present.

It should be noted that most / all copies of this single originally came with a detachable paper index tab on the rear of the sleeve (see image below). Often found folded into the sleeve for protection when not used, these provided basic details of the release and were presumably there to help DJs easily locate them amongst other records. It's my understanding that this is the only Alice Cooper Group single to include this feature (although I also have some early solo Spanish 7" records with them). 

Discogs Link: Click Here

Under My Wheels 7" Vinyl Single

1971, Warner Brothers, P-1097W

This Japanese 7" vinyl single features green Warner Brothers labels, comes in a Warner Brothers paper sleeve complete with colour insert, and includes Under My Wheels on Side A and Desperado on Side B (both from the Killer album).  

The insert features the same image as used on the inside of the Killer album sleeve but with additional flamboyant Japanese hype text and track listings, lyrics and credits on the back.

A promotional copy of this release also exists, which is identical except that it features blue vinyl labels instead.

Discogs Link: Click Here

Be My Lover 7" Promotional Vinyl Single

1972, Warner Brothers, WB 7568

This USA 7" promotional vinyl single features white Warner Brothers labels, comes in a Warner Brothers paper sleeve, and includes Mono and Stereo versions of Be My Lover (from the Killer album) on Sides A and B respectively. This was a common feature of promotional singles at the time, as it enabled radio stations to play songs on both AM (Mono) and FM (Stereo) stations.

Discogs Link: Click Here

Be My Lover 7" Vinyl Single

1972, Warner Brothers, WB 7568

This USA 7" vinyl single features green Warner Brothers labels and includes Be My Lover on Side A and Yeah, Yeah, Yeah on Side B (both from the Killer album).

Discogs Link: Click Here

Be My Lover 7" Vinyl Single

1972, Warner Brothers, WB 16158

This German 7" vinyl single features green Warner Brothers labels, comes in a paper sleeve, and includes Be My Lover on Side A and Yeah, Yeah, Yeah on Side B (both from the Killer album).  

The sleeve has the same psychedelic motif image of the Alice on both the front and back.

Discogs Link: Click Here

Be My Lover 7" Vinyl Single

1972, Warner Brothers, 16154

This French 7" vinyl single features green Warner Brothers labels, comes in a paper sleeve, and includes Be My Lover on Side A and You Drive Me Nervous on Side B (both from the Killer album).  

The sleeve has the same image of the Alice Cooper Group (complete with Neal holding a snake aloft) on both the front and back.

Discogs Link: Click Here

Be My Lover 7" Vinyl Single

1972, Warner Brothers, N-63-15

This Portuguese 7" vinyl single features 'Palm Tree' Warner Brothers labels, comes in a paper sleeve, and includes Be My Lover on Side A and Yeah, Yeah, Yeah on Side B (both from the Killer album).  

The sleeve has a green-tone image of the Alice Cooper Group (from the Love It Death album cover) on the front and on the back are track listings and credits.

The presence of the Palm Tree labels on my copy is a bit of a mystery. This is because they were not generally introduced around the world until the No More Mr Nice Guy single was released in 1973. I can only surmise that this single was released slightly later in Portugal and, like No More Mr Nice Guy, was subject to versions with both designs (as the transition took effect). Either that or it may have been re-issued at a later date as the Alice Cooper Group hit the peak of their commercial success.

Discogs Link: Click Here

Halo Of Flies 7" Vinyl Single

1973, Warner Brothers, WB 16296

Halo Of Flies was subject to a release in Holland only after gaining a cult following through continual radio play. Released two years after Killer (and therefore also after the subsequent School's Out and Billion Dollar Babies albums) the cover text proudly boasts that the song was 'Number 8 in Radio Veronicas Top 100 of all time, 1973'.

This 7" vinyl single features 'Palm Tree' Warner Brothers labels, comes in a paper sleeve and includes Halo Of Flies on Side A and Under My Wheels on Side B (both from the Killer album). The fact they managed to shoe-horn the full 8:22 length album version of Halo Of Flies was some achievement and it must be one of the longest 7" tracks every pressed!   

The sleeve has the somewhat controversial image of Alice performing live on the front (which was also used on the 2005 Good To See You Again concert film release). The reason for the controversy is that Michael Bruce is, quite unforgivably, masked out of the original image by a hype graphic (see image below). Another live image of Alice is provided on the back together with promotional text for the Love It To Death, Killer, School's Out and Billion Dollar Babies albums.

Discogs Link: Click Here

Killer : 50 Years Later 12" Vinyl Album

2021, Pale Wizard Records, PALEFYL01LP

To celebrate the 50th anniversary of the Killer album in 2021, UK-based Pale Wizard Records produced this excellent tribute record featuring a range of underground psych and hard rock bands. The whole original album is represented and played in the same order. Four digital only bonus tracks were also produced (i.e. Billion Dollar Babies, I'm Eighteen, Muscle Of Love and Sick Things).

Promotional text by Pale Wizard Records:

Pale Wizard Records is a labour of love for its co-founders Tim Hilleard and Dan Flitcroft. We release music that we love and find interesting. Dan has been a die hard Alice fan since the early 90's after his Dad bought 'Billion Dollar Babies' on vinyl at a car boot sale. When Dan realised that 'Killer' was turning 50, he got on the blower and started speaking to a bunch of great bands that he has come across on his travels with his own band Sergeant Thunderhoof. Those initial conversations garnered a very positive reaction from all involved and it was decided that we would attempt to recreate the album, in full, with each band having complete creative license to do what they will with it. 

Funded through the Kickstarter platform, fans were given a choice of a CD or three different colour vinyl variants (see below). I couldn't resist going for the 'Lay down and Die' edition vinyl due to its similarity to the Live From The Astroturf 'Willy Wonka' records. A really nice touch in the packaging is that the original calendar has been re-imagined with a 2022 equivalent.

All-in-all this is a cool release and it's great to see the Alice Cooper Group still inspiring modern musicians 50 years on!

Discogs Link: Click Here

For the School's Out era Click Here.